Dennis L. Collins is a fine art photographer best known for his mastery of "archaic" and alternative photographic processes. After a lengthy career in commercial and corporate photography, he shifted his focus to the fine arts, specifically reviving rare techniques that emphasize texture and permanence.
Professional Background
Dennis’s professional journey spans over 40 years, moving from corporate assignments to academic and artistic pursuits:
- Corporate Career: He spent 25 years as a photographer for AT&T, specializing in annual reports, advertising, and editorial work.
- Academic Work: Following a brief retirement from his corporate role, he served as the staff photographer for Oakland University in Rochester, Michigan.
- Artistic Transition: At the age of 45, he pursued a fine art degree at the Center for Creative Studies (College of Art and Design) in Detroit, where he chose to specialize in the rare carbon printing process for his thesis despite being warned of its difficulty.
Expertise in Carbon Printing
Collins is considered a contemporary expert in carbon transfer printing, a process dating back to the 19th century.
- The Process: It involves using finely ground pigments (carbon) and potassium dichromate. The unhardened pigment is washed away, leaving a permanent image with a distinct relief and a rich tonal range.
- Artistic Philosophy: He is drawn to the "timeless beauty" and physical texture of these prints, which he describes as objects that "beg to be held."
- Teaching: He frequently hosts workshops (notably at Art Intersection in Arizona) to share his knowledge of this complex medium, hoping to ensure the art form survives.
Collections and Recognition
His works are included in several prominent permanent collections, particularly in the Midwest:
- Detroit Institute of Arts: Holds several of his platinum prints, including "Untitled: Double Exposure of Nude Female" and "Flamingo, Detroit Zoo."
- Kalamazoo Institute of Arts
- University of Michigan
- Oakland University
Summary of Mediums
While carbon printing is his primary focus, his portfolio includes other alternative and traditional formats:
- Platinum Prints: Highly stable and valued for their delicate grey tones.
- Pinhole Photography: Exploring the foundational mechanics of light and exposure.
- Digital Integration: Using digital negatives as a starting point for traditional contact printing.
Note: Outside of his studio work, Collins is known to have interests in car racing and has volunteered his time for hospice organizations.
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