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November 19, 2012

The Coalition of Photographic Arts and the Walker’s Point Center for the Arts are pleased to present CoPA’s 6th Annual Midwest Juried Photo Exhibition, an annual opportunity for emerging and established artists from Wisconsin, Illinois, Michigan and Minnesota to exhibit their contemporary photography.  This Year’s jurors are Annemarie Sawkins (former Associate Curator, Haggerty Museum of Art at Marquette University) and Graeme Reid (Assistant Director, Museum of Wisconsin Art).

photo: "Peony 2" by Vicki Reed

 The Coalition of Photographic Arts and the Walker’s Point Center for the Arts are pleased to present CoPA’s 6th Annual Midwest Juried Photo Exhibition, an annual opportunity for emerging and established artists from Wisconsin, Illinois, Michigan and Minnesota to exhibit their contemporary photography.  This Year’s jurors are Annemarie Sawkins (former Associate Curator, Haggerty Museum of Art at Marquette University) and Graeme Reid (Assistant Director, Museum of Wisconsin Art).

 

About the Jurors:

Born in England, Annemarie Sawkins graduated from McGill University with a Master’s Degree and Ph.D. After 13 years as a curator at the Haggerty Museum of Art at Marquette University, she is now an independent curator and art consultant working on a major exhibition for the Ackland Art Museum, University of North Carolina at Chapel Hill, which opens in February of 2013. Annemarie often writes for exhibition catalogues and is a frequent juror, having critiqued everything from artists portfolios to short films.

September 20, 2012

CoPA welcomes photojournalist Kristyna Wentz-Graff from the Milwaukee Journal-Sentinel, who will speak on the importance of storytelling in photography. Kristyna specializes in long-form documentary form, where capturing a story in each image is crucial. Telling a story also holds a crucial place in much fine art photography. Kristyna was also arrested at Madison's Occupy protests and will no doubt have some stories to tell about that as well.

CoPA Milwaukee is excited to welcome Kristyna Wentz-Graff as speaker for the October Schmooze!

Milwaukee Journal Sentinel photojournalist Kristyna Wentz-Graff is passionate about telling stories from her local community. With an emphasis on social and cultural issues, she’s delved into the lives of those who are often overlooked. She’s reported on a wide array of topics such as Milwaukee County’s substandard and dangerous housing conditions for people with mental illness, the adverse effects of the Iraq war on children of soldiers, investigating child deaths in the Milwaukee County foster care system,  and exposing fraud in the day care system.

Prior to joining the Milwaukee Journal Sentinel in October 2005, she worked at The Post-Crescent (Appleton, WI), The Grand Rapids Press (MI) and freelanced for The Orange County Register. She graduated from California State University-Fullerton with a degree in Mass Communications.

September 17, 2012

This juried exhibition is open to all photography artists who reside in Wisconsin, Illinois, Minnesota or Michigan, who may submit up to four entries with a $35, non-refundable entry fee. There is no fee for active/paid CoPA members; this is considered a membership benefit. Entrants must be a current paid member as of Oct 15, 2012 in order to qualify for the member submission fee waiver. New memberships after Oct 15, will not qualify for the fee waiver.

Exhibition Jurors: Graeme Reid, Annemarie Sawkins

Graeme Reid - Born in Scotland, Graeme Reid graduated from the University of Glasgow and Indiana State University with Master’s degrees in 1990 and 1993 respectively. With nineteen years experience in arts management/curatorial work he is currently Assistant Director at the Museum of Wisconsin Art having previously worked at the John Michael Kohler Arts Center (Sheboygan, WI), the Art Museum of Greater Lafayette (IN) and the Swope Art Museum (Terre Haute, IN). Over the years he has curated over 120 group and solo exhibitions as well as worked on the development and installation of institutional collections. An experienced judge on a local, regional and national level and award winning writer on the arts, he has taught art history and the humanities at ISU and Purdue University and is a regular guest lecturer at various Wisconsin institutions.

September 2, 2011

When someone asked Bernard Spinelli a while back why he was passionate about his photography he replied he wasn’t. “I did say that I was passionate about other people’s photography.” Admittedly it's trite to say a photograph is worth a thousand words, but as Bernie says, try describing a fireworks display. Photograph by Bernard Spinelli

Bernard Spinelli is passionate about photography, but not necessarily his own.

When someone asked him a while back why he was passionate about his photography “I replied that I wasn’t,” Bernie said in an email interview. “I did say that I was passionate about other people’s photography.”

Bernie has been photographing since 1963 while working as a field service technician at California’s Vandenberg Air Force Base. “I’ve been exposed to a lot of visual input in my lifetime, which is storytelling in its truest sense and allowing one to be there and experience the moment as it happened.”

Admittedly it's trite to say a photograph is worth a thousand words, but as Bernie says, try describing a fireworks display.

May 3, 2011

CoPA member Erik Ljung is admittedly shy but having a camera in front of his face is his good excuse to interact with strangers he might otherwise be reluctant to approach. His recently exhibited his work, using his last roll of Kodachrome film.

CoPA member Erik Ljung is admittedly shy but having a camera in front of his face is his good excuse to interact with strangers he might otherwise be reluctant to approach.

“My camera is the perfect excuse to put myself in sticky situations,” the 27-year old photographer said. “I use my camera as a tool. I study photography and photographers all day, every day – it consumes me – but I rarely photograph without a purpose.”

January 24, 2011

It happened in a fraction of a second when the New York City subway car door opened and Paul Matzner saw both men texting. He framed them and clicked, but it wasn’t until Paul returned to his Shorewood home that he realized the social statement he had captured.

It happened in a fraction of a second when the New York City subway car door opened and Paul Matzner saw both men texting. He framed them and clicked, but it wasn’t until Paul returned to his Shorewood, Wis., home that he realized the social statement he had captured.

“We live and work in close proximity, but we spend an inordinate amount of time not acknowledging each other when we are together,” Paul said. “Mass transit seems to heighten that isolation.”

Paul spent four April days in New York to make pictures and visit photography galleries, including Howard Greenberg, Lawrence Miller, Bruce Silverstein, and Felicia Anastasia. He had never been to Brooklyn, but on a “space to spare” website he found an apartment in the borough.

He spent his time walking the streets and exploring Prospect Park, the DUMBO area – Down Under the Manhattan Bridge Overpass – the Fort Greene area, as well as making frequent trips to Manhattan to visit such places as Bryant Park, Central Park, Chelsea, Chinatown, and the High Line, the new elevated park in lower Midtown.